Review by: Victor Guimarães
Album assigned by: Alex Smith
The Microphones is that kind of experimental band that would not be easy to find, even in experimental circles. Phil Elvrum, the creative genius responsible for this madness, is definitely something out of the ordinary — for whatever reason one may consider, be it a positive or a negative reason.
But as I want to be objective tonight, It Was Hot, We Stayed in the Water is a big art, experimental rock album. It sounds great, it never gets boring, but ok, it could be tiring, even if just a bit. The listener can appreciate some of the basic rock song structures, with guitars, basses and drums, while getting amazed by Phil’s musical idea of telling a story. Yeah, conceptual for you. Or it seemed so to me. The album flows smooth, full of lyrical metaphors and their corresponding sounds, creating a hazy atmosphere orchestrated by elements as different as electronic beats, synthesizers and organs, plus his very nice voice, dual male/female vocal parts, production-added traits, such as the distinctive sound of wind blowing, and noises, noise-pop style. The main song structure is very good as well. Good melodies, smart riffs, yadayada.
After listening to it once, I dug a bit and found that there are some noticeable tributes to Eric’s Trip and other minor inspirations from many other sources. For me, the album sounded quite original and I got the feeling the big Phil added his touch to everything. I respect his way of doing things. And I may say I admire his work. And maybe his madness. Anyone around who’s got the same liking for a well-organized musical journey, in a progressive, creative fashion could take the bait and listen to Elvrum’s insanity. It Was Hot, We Stayed in the Water is a good way to start.