Sheena Ringo—KALK SAMEN KURI NO HANA (2003)

220px-sheena-kalk_samen_kuri_no_hanaReview by John Short

Assigned by Dinar Khayrutdinov

So I was told by my dear friend Dinar that this Sheena Ringo lady is the Japanese Prince, and I have to say that after listening to this album I was highly disappointed. Not one single song on this album was about incest, bizarre and nonsensical spiritual/sexual themes, or fantasizing about changing genders and engaging in kinky lesbian sex with your girlfriedn. Well, not that I picked up on, but then I don’t speak Japanese, so perhaps it’s only natural.

The circumstances of this review (computer died in the middle of it and this is all roughly from memory of the sadly aborted first draft) make it hard for me to really recall what I originally thought about the album, but the gist of it was that cliche as this observation is, it reminded me a lot of Björk. This is a cop out I’ll admit-  Björk has become a ubiquitous comparison for every female singer not in the Madonna vein ever since the late 90s at the very latest, but being compared to Björk is often a very good thing, and this is certainly the case here. Sheena Ringo clearly belongs to a very long tradition of talented Japanese women stretching back to luminaries such as Sei Shōnagon or Murasaki Shikibu. All and all I’m glad I listened to this, and that I finally know what dear Dinar is talking about, but I’m afraid this is the sort of thing I’ll have to give a lot more listens to to make any kind of definitive statement on it, and sadly at this particular juncture in my life I just don’t have the time for that.

Author: Graham Warnken

I’m not locked in here with you, you’re locked in here with me. Or you could just, y’know, load another webpage.

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