Berry Sakharof—SIMANIM SHEL CHULSHA (1994)

268x0wReview by Dinar Khayrutdinov

Assigned by Nitay Shifroni

Well, this guy has to be the Israeli Nick Cave… or the Israeli Lou Reed… or someone similar in any case. I’ll get one thing out of the way – as much as I love Nick and Lou, I didn’t really enjoy Berry Sakharof much. Don’t get me wrong: this record sounds cool in a bleak mope-rocky kind of way, and the mood this album is aiming for is obviously emulated pretty well but overall I’m afraid I found it mostly generic-sounding, apart from a few interesting ideas here and there. The only track that really impressed me from start to finish was Im Hayiti, which, in my opinion, was the only instance on this album when Sakharof sounds fresh and original: the gloomy bass-guitar interplay here, the inventive production and the almost three dimensional, reverby, rich sound design reminds me of… Swans, of all bands (so yeah, the originality is still relative). Attempts are made later in the album to replicate this sort of apocalyptic, brutally grim and darkly beautiful soundscape, but these are often mixed with the singer churning out the lyrics in a singer-songwriterish way, which diluted the whole experience for me. Granted, I do not understand Hebrew, so maybe the lyrics are really great? Judging by the cover art, it might be some sort of a political message but how the heck should I know.

Anyway, to sum things up, this album uses gloomy production, bleak guitar tones and the singer’s world-weary voice to create a certain mood, but in ways that have been used in popular music much too often. I guess it’s not a bad album overall (lyrically it might even be a masterpiece for all I know) but I don’t really see myself ever returning to this because it’s just not that interesting musically for me.

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Author: Graham Warnken

I’m not locked in here with you, you’re locked in here with me. Or you could just, y’know, load another webpage.

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