Review by: Charly Saenz
Assigned by: Francelino Prazeres de Azevedo Filho
Welcome to the Rock Superhero Bashing Circus! Well, as you might know “Press To Play” is usually indicated by some reviewers (oh those are terrible.. Oops) as Paul’s nadir. Oops again: I used to despise this album. But my fellow reviewer has given me the opportunity to explore this album under a new light; mostly in the darkness of my room, to be honest – just the music, and no videos. Those really didn’t stop playing back in the day. That wasn’t good.
“Stranglehold” is an extraordinary start. It’s strong and luminous, slightly bluesy. I feel some good 90s vibe here, even a bit of Lloyd Cole. There’s a double bass quality in the rhythmic base and the sax touches are totally engaging.
I changed scenery for the second song “Good Times Coming/Feel The Sun”. Had to step out in the street on a cold threatening night, so I mounted the Fiio DAC and the Sennheiser cans on my head and I connected the DAC to my Android phone. BOOM! POW! Well, all those Batman 1966 onomatopeias. After the goofy start, it really blew my mind. You know sound counts, this is mostly a finely recorded album, no matter what they say.
I’m back in the computer and I launch the next song, “Talk more talk”, on the Yamaha amp. This one is a tad more annoying in the production department. The song itself is interesting (the guitar work is indeed very detailed) but it goes nowhere. Still, hardly offending. “Footprints”, instead, is one FINE Macca-style song. Extremely joyful details (some remind me of the future “Driving Rain” but everything was a little more guitar-rocking there). There’s a cracking detail in Paul’s otherwise still beautiful voice.. Is this when he starts to show the signs of age? “Press(ed) to play”..
About that song, and let’s forget the video clip, it’s probably the weakest in the lot. Paul what were you trying to achieve? This album has no hits (Will you count the bonus track, “Spies like us”? Well that video was.. slightly funny) and this is for the best: “Press” is really awful with the extremely tiring electronic drum, the echo vocals. No, please: “Never like this”.
Save your breath, then we have another little gem, “Pretty Little Head”, that could have been considered an A-HA (or even Tears For Fears) song as it begins. Here the electronic drums roll deliciously over the keyboards, and there’s that feeling that Paul is on the loose, experimenting.. The “African” voices are exquisite; the intertwined guitars and of course the effect-laden synths. It might be a little long; but I won’t complain, Paul is having fun.
As if he was paying the debts for “Press”, he scores high again with “Move Over Busker” (“Busker”.. Wasn’t that a movie with Phil Collins?). An engaging number, with more traditional sound, and a line that is certainly closer (specially in the second part) to a good rock and roll circa 1958, if you clean up the make up, that is. It rocks better than, say, “Take it away”.
Well in the end, you know, this wasn’t the awful album I’ve grown to despise. There is no such thing as bad production per se; it’s all in the numbers, “Press” ain’t a great song anyway and it tainted the whole set as a single, but a good electronic drum can be put to good use as we all know. For completists, “Angry” ain’t a particularly great song and “However Absurd” is a weird ending, but a good effort, anyway.
And the melodies, the hooks are there, Macca brand. Oh by the way did I mention “Only Love Remains”? 100% Macca ballad of any era, and it’s really good.
This is how you do it, and it’s 1986 so it’s worth a lot. Go and buy it before the fools and the critics find out and all the “Press To Play” CDs start to dissapear from the record stores. We still have CDs right?…