Review by: Eric Pember
Album assigned by: Jeremiah Methven
This is an album I feel like I can write an actual review for, as opposed to a Christgauian blurb.
Yes, I will be writing more than fifty words for 50 Words for Snow.
Before I go on, I must confess that I prefer Kate Bush when she was at least trying to be pop. She kinda went too far off the deep end after Hounds of Love for my tastes. This kinda continues that.
For the first two tracks, the lack of dynamics honestly kinda bored me. I don’t particularly need busyness, but I thought they were curiously minimalistic for such a dense sound. The dynamics, however, started kicking in with “Misty”. From there, I was able to start getting into this album.
I think this album is meant to have the feel of background music, but set you off guard and make you start feeling for it just when you start to think you can ignore it. She has a lot of imitators who try to do this stuff nowadays, but she is still the best at it by some distance.
The sheer grandeur of the album is quite awe-striking. I wouldn’t want to listen to it everyday, but it perfectly hits the spot when you’re in the mood for it. I definitely agree with Jaime that her continuing to follow her muse like this is quite admirable. I suspect that, when I’m his age, I will start to feel a serious need for this album in my life.
As of now, I personally prefer to listen to her older albums that combine this juxtaposition of elements with accessible poppiness. I can’t fault her for not doing that anymore, though. Her still trying to be a pop star at her age would honestly be fairly embarrassing, to say the least.
This is definitely an album I will need to come back to eventually, and I admire her ability to keep up her unique vision for as long as she has.